1. The Season of Risks by Susan Hubbard
  2. The Heaven of Animals by James Poissant
  3. Problem Novels by Anna Maria Jones
  4. Drawing on the Victorians, edited by Anna Maria Jones
  5. The Rhetorical Nature of XML by J.D. Applen and Rudy McDaniel
  6. Oye What I'm Gonna Tell You by Milanés
  7. Everyday Chica by Cecilia Rodríguez Milanés
  8. Rattlesnakes and the Moon by Darlin Neal
  9. Mud Song by Terry Thaxton
  10. Ecocritical Explorations in Literary and Cultural Studies by Patrick D. Murphy
  11. The Zero Theorem by Pat Rushin
  12. The Terrible Wife by Terry Thaxton
  13. The Society of S by Susan Hubbard
  14. The Year of Disappearances by Susan Hubbard
  15. Elegant Punk by Darlin Neal
  16. Collecte Writings of Charles Brockden Brown edited by Mark L. Kamrath
  17. As If, poems by Russ Kesler
  18. The Historicism of Charles Brockden Brown by Mark L. Kamrath
  19. According to the Gospel of Haunted Women
  20. Virtual Teams in Higher Education by Flammia
  21. Crossing The Creek by Anna Lillios
  22. Getaway Girl by Terry Thaxton
  23. Getaway Girl by Terry Thaxton
  24. Lizard Man by David James Poissant
  25. Writing for the Web: Composing, •Coding, and Constructing Web Sites
  26. Innocence, Heterosexuality, and the Queerness of Children’s Literature by Tison Pugh
  27. People Get Ready by Kevin Meehan
  28. Transversal Ecocritical Praxis by Patrick D. Murphy
  29. The Flight of the Kuaka by Donald Stap
  30. Intercultural Communication by Houman Sadri and Madelyn Flammia
  31. Marielitos, Balseros and Other Exiles by Cecilia Rodríguez Milanés


Tom Conley: "The Cartographic Imagination from the Early Modern to the Post-Modern"

Wednesday, March 19, 2014; 6:00pm - 7:00pm

Campus Location: Classroom Building 1, Room 205

“While the map indeed becomes a scientific object, along its creases, on its borders, still even in the white spaces of its remaining tracts of terrae incognitae, it attests to the presence of imaginary cartographies. The writer, the poet and the architect of scientific fiction are present in the studio of the cartographer or the wings of the theatrum where they might otherwise be bit players or extras. Thus, instead of locating fantastic heterotopias in works of the early modern canon whose writing, both literally and figuratively derives from maps—Rabelais, Cervantes, Shakespeare—I should like to see where the scientific map, strive as its author might to produce an accurate chart, refuses to expunge fantasy from figuration. At stake is an investigation of the river, the subject of “potamography”, the depiction of the paths that running waters take in early modern topographies, whose direct analogues on modern maps are seen, first, in the swaths of Interstate Highways and turnpikes distorting the scale and proportion of road atlases and now, more immediately, on the GPS screens mounted on the dashboards of practically every vehicle of our day. The road map yields a clue to what their fluvial antecedents might have inspired among the early modern cartographers and viewers, be it to prod inquiry or to whet our imagination, we wish we were.”


Tom Clark Conley is Lowell Professor in the Departments of Romance Languages and Visual and Environmental Studies at Harvard University and won a Guggenheim Fellowship in 2003 for his work in topography and literature in Renaissance France. Conley studies relations of space and writing in literature, cartography, and cinema. His work moves to and from early modern France and issues in theory and interpretation in visual media.

Hosted by the UCF Department of English, UCF Center for Humanities & Digital Research, and the Texts & Technology Ph.D. program

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