1. The Rhetorical Nature of XML by J.D. Applen and Rudy McDaniel
  2. The Society of S by Susan Hubbard
  3. Oye What I'm Gonna Tell You by Milanés
  4. Intercultural Communication by Houman Sadri and Madelyn Flammia
  5. Innocence, Heterosexuality, and the Queerness of Children’s Literature by Tison Pugh
  6. Everyday Chica by Cecilia Rodríguez Milanés
  7. People Get Ready by Kevin Meehan
  8. Problem Novels by Anna Maria Jones
  9. Rattlesnakes and the Moon by Darlin Neal
  10. The Historicism of Charles Brockden Brown by Mark L. Kamrath
  11. Lizard Man by David James Poissant
  12. Ecocritical Explorations in Literary and Cultural Studies by Patrick D. Murphy
  13. The Season of Risks by Susan Hubbard
  14. The Zero Theorem by Pat Rushin
  15. Elegant Punk by Darlin Neal
  16. Mud Song by Terry Thaxton
  17. Collecte Writings of Charles Brockden Brown edited by Mark L. Kamrath
  18. As If, poems by Russ Kesler
  19. Getaway Girl by Terry Thaxton
  20. Crossing The Creek by Anna Lillios
  21. Transversal Ecocritical Praxis by Patrick D. Murphy
  22. Virtual Teams in Higher Education by Flammia
  23. The Terrible Wife by Terry Thaxton
  24. Marielitos, Balseros and Other Exiles by Cecilia Rodríguez Milanés
  25. Writing for the Web: Composing, •Coding, and Constructing Web Sites
  26. The Flight of the Kuaka by Donald Stap
  27. According to the Gospel of Haunted Women
  28. The Heaven of Animals by James Poissant
  29. The Year of Disappearances by Susan Hubbard
  30. Drawing on the Victorians, edited by Anna Maria Jones
  31. Getaway Girl by Terry Thaxton

Events

Tom Conley: "The Cartographic Imagination from the Early Modern to the Post-Modern"

Wednesday, March 19, 2014; 6:00pm - 7:00pm

Campus Location: Classroom Building 1, Room 205

“While the map indeed becomes a scientific object, along its creases, on its borders, still even in the white spaces of its remaining tracts of terrae incognitae, it attests to the presence of imaginary cartographies. The writer, the poet and the architect of scientific fiction are present in the studio of the cartographer or the wings of the theatrum where they might otherwise be bit players or extras. Thus, instead of locating fantastic heterotopias in works of the early modern canon whose writing, both literally and figuratively derives from maps—Rabelais, Cervantes, Shakespeare—I should like to see where the scientific map, strive as its author might to produce an accurate chart, refuses to expunge fantasy from figuration. At stake is an investigation of the river, the subject of “potamography”, the depiction of the paths that running waters take in early modern topographies, whose direct analogues on modern maps are seen, first, in the swaths of Interstate Highways and turnpikes distorting the scale and proportion of road atlases and now, more immediately, on the GPS screens mounted on the dashboards of practically every vehicle of our day. The road map yields a clue to what their fluvial antecedents might have inspired among the early modern cartographers and viewers, be it to prod inquiry or to whet our imagination, we wish we were.”


Bio:

Tom Clark Conley is Lowell Professor in the Departments of Romance Languages and Visual and Environmental Studies at Harvard University and won a Guggenheim Fellowship in 2003 for his work in topography and literature in Renaissance France. Conley studies relations of space and writing in literature, cartography, and cinema. His work moves to and from early modern France and issues in theory and interpretation in visual media.


Hosted by the UCF Department of English, UCF Center for Humanities & Digital Research, and the Texts & Technology Ph.D. program

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