1. Getaway Girl by Terry Thaxton
  2. Innocence, Heterosexuality, and the Queerness of Children’s Literature by Tison Pugh
  3. People Get Ready by Kevin Meehan
  4. The Society of S by Susan Hubbard
  5. The Flight of the Kuaka by Donald Stap
  6. Virtual Teams in Higher Education by Flammia
  7. Mud Song by Terry Thaxton
  8. The Zero Theorem by Pat Rushin
  9. Oye What I'm Gonna Tell You by Milanés
  10. The Terrible Wife by Terry Thaxton
  11. As If, poems by Russ Kesler
  12. Transversal Ecocritical Praxis by Patrick D. Murphy
  13. Collecte Writings of Charles Brockden Brown edited by Mark L. Kamrath
  14. Rattlesnakes and the Moon by Darlin Neal
  15. Elegant Punk by Darlin Neal
  16. Marielitos, Balseros and Other Exiles by Cecilia Rodríguez Milanés
  17. Crossing The Creek by Anna Lillios
  18. The Season of Risks by Susan Hubbard
  19. Ecocritical Explorations in Literary and Cultural Studies by Patrick D. Murphy
  20. Getaway Girl by Terry Thaxton
  21. Lizard Man by David James Poissant
  22. According to the Gospel of Haunted Women
  23. The Year of Disappearances by Susan Hubbard
  24. Intercultural Communication by Houman Sadri and Madelyn Flammia
  25. Problem Novels by Anna Maria Jones
  26. The Historicism of Charles Brockden Brown by Mark L. Kamrath
  27. The Rhetorical Nature of XML by J.D. Applen and Rudy McDaniel
  28. The Heaven of Animals by James Poissant
  29. Drawing on the Victorians, edited by Anna Maria Jones
  30. Everyday Chica by Cecilia Rodríguez Milanés
  31. Writing for the Web: Composing, •Coding, and Constructing Web Sites

Omer Kazmi


Course Number Course Title Mode Date and Time Syllabus
11307 ENG3010 Practical Criticism Face2Face Tu,Th 10:30AM - 11:45AM Not Online

This section of Practical Criticism will focus on learning to read/interpret texts (mostly but not exclusively literature and film) using formalist strategies by selected writers of different genre from various ethnicities. Our major emphasis at the beginning of the semester will be on the close reading of two books by two important contemporary authors—genre and titles to be determined. However, we will we also read and discuss excerpts of other important writers and include one film (selected by class members). By the end of the semester, you will be expected to produce your own well-supported and effective literary critical essay.

Course Number Course Title Mode Date and Time Syllabus
80734 ENG3010 Practical Criticism Face2Face Tu,Th 12:00PM - 1:15PM Not Online
No Description Available
81596 ENL2022 English Literature Ⅱ Web Web Not Online

This course is designed to make students familiar with major literary movements, figures and genres.  Students will also learn different methods of analyzing and criticizing a literary text. Within one semester, this course plans to cover major works of 19th and early 20th century; the reading load is therefore quite heavy. We will try our best to approach texts through discussion, close reading, collaborative analysis, and writing assignments. 

80135 LIT2120 World Literature Ⅱ Web Web Not Online

PR: ENC 1102. Readings from Moliere, Voltaire, Goethe, Pushkin, Balzac, Tolstoy, Ibsen, Mann, Kafka, Camus, and others.

Course Number Course Title Mode Session Date and Time Syllabus
62349 AML3031 American Literature Ⅰ Web A Web Not Online
No Description Available
61364 AML3041 American Literature Ⅱ Web B Web Not Online
No Description Available
Course Number Course Title Mode Date and Time Syllabus
20796 LIT3714 Literary Modernism Face2Face Tu,Th 4:30PM - 5:45PM Not Online

LIT 3714.0001: Literary Modernism (Kazmi)

Spring 2018

This course explores how modernism deals with identity in fiction and poetry from the beginning of the twentieth century to World War II.  In an age where national boundaries were changing, technology was rapidly developing, and empires were on the decline, literature of this time comes in to track human identity and grapple with this new, everchanging, and sometimes violent world. The focus of this course is to explore how artists, particularly literary artists, tried to capture the consciousness of their time, especially in relationship to the political landscape. Students will read from British, American, and Anglophone authors, and will draw connections between authors and various movements. Students will be expected to explore links between texts through class discussion, writing assignments, and short presentations.

No courses found for Fall 2017.

Updated: Aug 17, 2018

Department of English • College of Arts & Humanities at the University of Central Florida
Phone: 407-823-5596 • Fax: 407-823-3300 • English@ucf.edu