Department of English
Dawn Trouard

Dawn Trouard

  • Professor

dtrouard@pegasus.cc.ucf.edu
407-823-3695
Office Hours: Spring 2009 by appt. only
Campus Location: CNH207B

Education

Selected Publications

Books

Articles/Essays

Book Reviews

Conference Papers/Presentations

Spring 2010 Courses

Course Number Course Title Mode Date and Time
11248 AML4300 MAJOR AMERICAN AUTHORS Rdce Time M,W 1:30PM - 2:20PM
AML 4300-0M01 Major Author: William Faulkner

“The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life.”

Join me in a rigorous study of America’s most acclaimed modernist, William Faulkner. The focus will be on the fiction from Faulkner’s own “little postage stamp of native soil,” mythic Yoknapatawpha County. A native Mississippian, Faulkner captures in his fiction the crucible of race, class, and gender politics of 20th century America. He meant what he said: “The past is never dead. It’s not even past.”

Texts will include The Sound and the Fury (Norton), Sanctuary, As I Lay Dying, Light in August [Lib. of America], Absalom, Absalom! (Vintage International [VI]), Go Down Moses and Other Stories (VI), and The Hamlet (VI). In addition, various key works of criticism, biography, and short fiction will supplement the major works. MLA Handbook 7th is required.


PR: Grade of C (2.0) or better required in ENG 3014. This course may be repeated for credit only when course content is different.

21735 LIT6938 SPECIAL TOPICS Rdce Time W 7:30PM - 9:00PM
Teaching College Literature

“[The student’s] taste should not be consulted; it is being formed.” Flannery O’Connor

Even before Greek ceased to be part of the curriculum, how to educate has been debated and the collapse of the academy has been predicted. Standards seem to have never not been declining and the constant is the undervalued teacher. Recent books on the academy favor words like “ruins,” “failing,” and “clueless.” At some point, the text went missing and public universities erected their own golden arches and students checked out—happy or unhappy customers of their educational product.

After exploring the historical literary and professional debates, we will investigate some pedagogical theories and identify practical techniques for teaching literature in the college classroom. Some questions will govern our explorations: What roles do authority and integrity play when teaching literature? How do we prepare to teach a literary work? What should happen as we teach?

The course will be anchored by “the anxieties” Elaine Showalter takes up in Teaching Literature (Blackwell). Beyond the selected literary specimens, students will read extensively in works by critics and practioners like Barzun, Graff, Hall, hooks, Kolodny, Lauter, Scholes, and many others).

There will be an opportunity to develop and test a lesson plan, problematize interpretation, debate grading practices, examine the trauma of syllabi development, and survive student insurrection.